"Nothing's changed," Tricky moans on, um, "Nothing's Changed." Indeed. Ten albums and 18 years afterwards his still-amazing debut, Maxinquaye, the greatest boning-someone-you're-maybe-not-supposed-to-bone anthology ever, his archive is mostly the complete of afflatus disturbing for context. False Idols is best Tricky, which agency it could aperture in at about 1997 – the melodies are spare, the beats spacey, the vibe dark. "Somebody's Sins" covers Patti Smith's allegorical add-on to "Gloria," while The Antlers' Peter Silbermann shows up for a awning of his own "Parenthesis." He's never traveling to hit that aboriginal top again, but audition him hunt the dragon is rewarding.
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