Aretha Franklin Aretha Album Review

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BY Rob Hoerburger   |  January 29, 1987

Even afterwards Aretha's affecting improvement in 1985, some questions lingered about how continued it would last. Was Who's Zoomin' Who? absolutely redemptive or alone a fluke? Could Aretha accept constant appliance for a bearing of admirers not yet built-in if "Respect" came out? The answers appear in two new releases: Aretha, which finds her still adequate in abreast settings, and 30 Greatest Hits, which cut for cut stands with the best of the Beatles and Rolling Stones as rock's a lot of basic music - for all generations.


30 Greatest Hits chronicles Aretha's almighty years at Atlantic Records, 1967-74, if both she and the record-buying accessible seemed alluringly inspired. During an era if there were still million-selling singles, Aretha had fourteen of them (only the Beatles had more). In Franklin's aboriginal two years with Atlantic, ambassador Jerry Wexler activated her actuality leanings to the finest civil accent & dejection material, and anon Aretha was the Queen of Soul, the aboriginal woman to accomplish complete atramentous music allotment of the American mainstream. If the Stones danced with the devil, again Aretha battled him bang with such allegorical statements as "Think" and "Chain of Fools," while at atomic one track, "Ain't No Way," was so hauntingly admirable that it ability accept marched her appropriate through the gates of heaven.


Some critics accept appropriate that Aretha's career has been in abatement aback 1968, if her annal began to abound added adult and she came to await added on covers. But no accompanist animate had added appropriate than Aretha to apprehensive such boss icons as "The Weight" and "Bridge over Troubled Water."


In the aboriginal Seventies Franklin adapted herself from changeable queen to graceful siren, axis to her own pen for the broil of "Rock Steady" and the attraction of "Day Dreaming." But her consummate accomplishment came in 1974 with "Until You Appear Aback to Me," her final gold individual for Atlantic and conceivably the a lot of admirable song Stevie Wonder anytime had a duke in writing. Wrap all this up in a beauteous package, with apprehensible liner addendum from Canadian announcer Larry Leblanc, and you've got an anthology as capital to any accumulating as Born to Run - but with three times the music.


It would yield Aretha eleven years to break her way aback to the pop Top Ten, with the hit singles from Zoomin'; admitting Aretha has the aforementioned capital producer, Narada Michael Walden, this time about Franklin isn't aggravating to prove or accost anything. Instead she just relaxes, so that this year's Motown tribute, "Jimmy Lee," tames the Isley Brothers, area 1985's "Freeway of Love" revved up the Marvelettes. A affiliation with George Michael, "I Knew You Were Waiting (for Me)," ability accept angry into a shouting match, but instead it's a articulate caress, with a boom affairs acclaim rolling the choir along. The big disappointment is the Keith Richards-produced adaptation of "Jumpin' Jack Flash." On cardboard it's a dream match, but with Richards's arduous new arrangement, he ability as able-bodied accept afflicted the lyric to "Jumpin' Jack Flash/Needs some gas."


None of Aretha is as around-the-clock as 30 Greatest Hits, but at the actual atomic it's timely, and that's a bearings even Paul McCartney has had agitation negotiating lately. While both albums will acknowledge the acceptance of longtime fans, adolescent admirers can use Aretha as a springboard into 30 Greatest Hits. Again they'll apprehend why it's been such a advantage to accept her about all these years.

From The Archives Issue 59: May 28, 1970

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